![]() Do not write a word unless it holds its weight. Remember – we are cash rich but time poor. Any more and we are getting into short film territory and that is not where Producers of tv want to be. The Treatments I help my writers write are all under 10 pages. And often, the first thing I talk to my writers about is the Treatment of their idea. Writers come to me not only to help fix the script they’re stuck on, but to also raise the bar of their writing in general. Now, I work with writers one on one via my Script Consultancy. I have worked with many, many writers throughout my career, as a Script Editor on EastEnders, amongst other great long runners and then as a Producer of Holby City and other popular series formats. ![]() There’s so much going on here: the characters, the world they live in, the story itself and are you actually saying something that people will want to engage with? How do you highlight the bits that are working in your tv idea and those that aren’t? Is there enough story? What are you actually trying to say? How do you control all these elements? ![]() You’ve had a brilliant one which has to be for television – there’s a series here you know it, but the sheer weight of the story, the abundance of characters, the complexity of this world you are creating is overwhelming.
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